There is no doubt about it: there is something obsessive about the work of Jesús Lugo. If not, how could we explain the almost infinite number (limited only by the frame of the painting) of varied characters that animate most of his canvases?

As Yolanda Mora paints, this artist in love with freedom lets her inner self dictate a rhythm she consciously rejects but that would be difficult to deny in her finished work.

Aesthetics does not have to seek to understand works of art as hermeneutic objects, but, in any case, what must be understood is their incomprehensibility.

Endy Hupperich has lived in Mexico since 1992. He was influenced by the '80s (culminating in the fall of the Berlin Wall), the influential artistic movements of the era, and the global tendency of Neo-expressionism known as the Transavantgarde.

The first thing revealed to the observer who contemplates the series Resonances from Valerie Campos is a formal parti pris through which the artist has decided to distort geometrically the immediate reality of the depicted space.